![]() I even thought of pulling up my phone, go to google maps so I could see myself and the maze from above. When I lost sight of my son for about a minute inside the maze and started making turns without any reason, it was obvious that I had no idea how to make the right decision on which way to go. My favorite was the haystack maze! It proved to me once more the importance of seeing the bigger picture to make the right decisions. We took a small farm train pulled by a tractor to wander around the farm, pick their pumpkins and few other fun activities. Around Thanksgiving, on a beautiful Saturday, we took our son to a pumpkin patch farm together with one of his friends where they got to see and feed bunch of farm animals. ![]() Look at The Bigger Picture Show program schedule for further details.Seeing the big picture helps in making the best decisions to keep you on track towards your vision. She makes a living with teaching at the sculpture departments all over the The Netherlands aside and working at various departments at the National Opera and Ballet of Amsterdam. In 20 she was a participant at residencies in Norway, and in USA: Skowhegan 2007, I-Park 2011/2013, Sculpture Space 2015 and Art Omi 2016. She has had shows in, Germany, France, Slovenia, Belgium, Ireland, Scotland, Switzerland, South Korea and USA. After graduating in Sculpture at the Art Academy in 1997 she did an internship in Belgium with the artist Jan Fabre. Linda Molenaar works (sculptures and performances) and lives in The Nederlands, Amsterdam and graduated in 2009 a 2 year performance master called DasArts. During the four days of the exhibition Linda Molenaar will perform both pieces one time per day. Molenaar’s animals are alive and carry out actions we recognize from every day a clear connections to the diptychs in GRID. Conceptually both artists experiment with themes concerning human nature. P hysically tough, Molenaar’s performances relate to those of Matthew Barney (1967), although she rather chooses an intimate transformation than a confrontation. In Albino and Old Horse there is no question about the fact whether Linda Molenaar’s performances relates to the human body, even when she literally crawls under the skin of an animal. Music and image go hand in hand the music follows the dynamics of the images and raises to great height.Īlbino and Old Horse, Performances by Linda Molenaar ![]() Just like in GRID, number 8 plays an important role. The music is next to cerebral and carefully calculated also full of emotion. This part of the performance will be developed with theater-maker and performer Noortje Braat. ![]() Basically, the vocalists sing without words, without literal meaning. The 8 performers on stage are visible, mobile and have a theatrical function. Auditory links are connected to the variety of images and stories of GRID: musical commentary that not only outlines details but also reveals a bigger picture. The composition passes steadily along the monumental work in about 48 minutes, visually accompanied by an in and out zooming spotlight.Įach diptych has its own motif that is part of the overall composition with GRID’s underlying layers of meaning providing the structure. Music for an Exhibition by Egon Kracht and Noortje BraatĮgon Kracht writes acoustic music for an instrumental quartet and four vocalists, that reflects on the 32 diptychs in GRID.
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